Showing posts with label YELAWOLF. Show all posts
Showing posts with label YELAWOLF. Show all posts

Wednesday, March 4, 2015

YELAWOLF VENTURES DEEPER INTO CRACKERFACE


As Kid Rock reinvented himself as Bob Seger for the crystal meth era, so goes Yelawolf.  In a transparent bid for that Macklemore crossover appeal, Yelawolf refines his target demographic to the 21st Century Cool Dad.  This shit is made to be pumped in a Prius as they drop their fauxhawked little hellraiser off at soccer practice, all the square dads totally buggin out on their righteous Sailor Jerry style sleeve.  Earlier he collaborated with Ed Sheeran and Travis Barker, but has since found his niche as the Rap Game Jeff Foxworthy.  I find it highly offensive that he's perpetuating redneck stereotypes for monetary gain, so let's reflect on all the cliches in "Whiskey In A Bottle."

Whiskey.  Countless country artists know: if you wanna get a redneck vibe poppin off, mention whiskey in the title.

Flannel.  Flannel is the whiskey of the fashion world.

Rockabilly haircuts and face tats.
  The rockabilly haircut offsets the ex-con connotation of a face tat, while still leaving open the possibility you got some thug in you.

Choppers.  The Ruff Ryders favored Asian crotchrockets, but Yelawolf and his comrades are fetishists of old-school American craftsmanship.  It's a powerful symbol.  Whereas the crotch rocket conjures memories of beatdowns on the West Side Highway, the chopper represents the paler, more picturesque rebellions of Easy Rider and James Dean.   We at RMH regard all motorcyclists as violent thugs who must be stopped.

Leather jackets, fedoras, and a traditional American tattoo parlor round out this slur against hipster redneck culture.  What, no barber's pole?  Surely some Americana-obsessed yuppie will blast this in his mancave of leather furniture and single malts, raising his glass high as he condescends to the hopeless souls cashing unemployment checks in Walmart country.  This is the most hateful indictment of '50s greaser nostalgia since Reverend Horton Heat.

Thursday, January 24, 2013

ONE TRAIN: WE GO VERSE BY VERSE Y'ALL!

 

So da new A$AP ROCKY - can't front, it's good.  He's coverin all the markets: mainstream club-banger wit "Fuckin Problems," hipsters wit da CLAMS CASINO and SANTIGOLD joints, meth-head skeezers with that weird SKRILLEX collabo.  And on "1 TRAIN," he caters to that fickle group of hobbyists known as HIP-HOP HEADS.  It's a posse cut with a roster reading like a XXL Freshmen list that shoulda been: KENDRICK LAMAR, JOEY BADA$$, YELAWOLF, DANNY BROWN, ACTION BRONSON, AND BIG KRIT.  So who go the hardest?  Let's break it down!

KENDRICK LAMAR
Kind of a forgettable verse.  Maybe we just getting used to consistent excellence?  It gets more entertaining toward the end when he sounds like he's desperately trying to keep from splattering his Fruit of the Looms with diarrhea.

JOEY BADA$$ 
Rhymes "conscious" with "conscience" and "prism" with "prison" in the first four bars.  Threw us for a loop there, BADA$$!  We was just expecting some retread NY Golden Era shit, but you flipped the script n shit!

YELAWOLF
Kills it!  Never been a big fan of his work, but he comes thru sounding like a DUNGEON FAMILY influenced Rumpelstiltskin.  I don't think I'll ever listen to his music on the regular, but thanks for the momentary entertainment, homie!


DANNY BROWN
His best work is in concept-driven songs, which doesn't lend itself well to a guest verse.  Like KENDRICK it just sounds like he's treading water.
ACTION BRONSON
Kills it!  Erryone knows he sounds just like GHOSTFACE, but he pushin that aesthetic to revelatory extremes, namedroppin none other than former Cleveland Indian KENNY LOFTON and comparing his girl's walk to a Chilean horse.  He even drop the weirdest boast ever, talkin bout fixin the game between Georgia Southern and Grambling.  Big money high roller!

BIG KRIT
Never paid much attention to this young man (he seems nice), and I think I'm gonna maintain like that.  He uses his verse as an opportunity to advertise his existence.  The cynical references to "choppin blades" and "grippin grain" say, "Hey hip-hop fans!  You may not have heard of me, but if you're looking for some UGK influenced rap, why not give me a listen?"

CONCLUSION
I think I'm gonna give the crown to ACTION BRONSON with a slight edge over YELAWOLF.  I ain't gonna listen to his music or nuthin, but he itched all the right spots on this track (no homo, seriously).

Imagine that: ACTION BRONSON and YELAWOLF are the winners.  For once the white man wins!